Vivan Sundaram, ‘Miniature Monument with Two White Graves’, from Memorial, 1993, mixed media installation, courtesy of the artist, photo by Gireesh GV. Asian Art. Featured in the catalogue are installations dealing with the metaphor of death, created by Vivan Sundaram in 1993. The veteran artist gives an insight into the inspiration and influences behind it. Routledge, 2015. Collection of the artist, New Delhi. His spouse is the famed art critic Geeta Kapur, and his vast oeuvre, stretching from his early paintings in the 1960s to larger-than-life installations of the current day, speak for themselves. As a person, Sundaram has become quite reserved over the years. Sundaram's transition into installation art was mediated by the body of work he's perhaps best known for -- experiments with his family's photographic archives. India. For veteran installation artist Vivan Sundaram, one man’s trash is another man’s treasure. Sundaram, a pioneer both of installations and of avant garde art in India, is at his most chilling when he speaks to human suffering. The ruptures in Sundaram’s practice, especially in his pioneering experiments in installation and video art in the 1990s, are evident. Memorial 1993–2014 is a room-size installation by Vivan Sundaram that comprises a number of smaller parts that are individually titled.The work was created in response to violent conflict between Hindu and Muslim groups in Bombay (now Mumbai) in the early 1990s. He studied painting at M.S. Kapur and Sundaram's archive thus encompasses multiple facets of the art field, from writing and curating to art-making and archiving. Gireesh GV. Sundaram works in many different media, including painting, sculpture, printmaking, photography, installation and video art, and his work is politically conscious and highly intertextual in nature. Contemporary Asian Art. Vivan Sundaram revisits the Bombay Mutiny of 1946 “Meanings of Failed Action: Insurrection 1946” is an art installation and experiential exhibition about a mostly forgotten event in India’s pre-independence movement, ongoing at the CSMVS Museum. May 25th, 2013. According to Ashish Rajadhyaksha, ‘As recently as three years ago, Vivan Sundaram was described by a colleague as firmly implanted in an oil-painting tradition “inherited from the grandest years of European Figurative painting”. Articles Featuring Vivan Sundaram. Vivan Sundaram: history project : a site-specific installation, Victoria Memorial, Calcutta, 1998 By: Sundaram, Vivan. See all articles. Vivan Sundaram was born in 1943, Shimla. ISBN: 9789382381945. Take “Collaboration Combines” (1992; … ), The Migrant’s Time: Rethinking Art … He was among the first Indian artists to work with installation. Vivan Sundaram's art comes from his deep interest in the political and a strong attachment to the personal. Installation view of VIVAN SUNDARAM ’s “Step Inside and You Are No Longer a Stranger,” at Kiran Nadar Museum of Art, New Delhi, 2018. [citation needed] His works in the 1980s showed a tendency towards figurative representations, and dealt with problems of identity. His latest show, “GAGAWAKA: Making Strange” at Lalit Kala Akademi in Delhi, argues Sundaram’s case with forty-five elaborate “wearable sculptures” made in collaboration with designer Pratima Pandey. Since 1990 he has turned to making artworks as sculpture, installation, photography and video. He studied painting at the Faculty of Fine Arts, M.S. Vivan Sundaram, Great Indian Bazaar, 1997. Vivan Sundaram was born in 1943, Shimla. Sundaram produced a series of works based on a newspaper photograph of a dead body. 1400 postcard-sized photographs in metal frames in a circular floor installation, 300cm diameter x 30 cm height. He was among the first Indian artists to work with installation. Sundaram was educated at The Doon School, the Faculty of Fine Arts, Maharaja Sayajirao University of Baroda, and at Slade School of London. His works constantly refer to social problems, popular culture, problems of perception, memory and history. A mammoth ship-shaped structure, decorated in hues of red, yellow and blue, awaited visitors at the studio of renowned contemporary artist Vivan Sundaram. The veteran artist gives an insight into the inspiration and influences behind it. His parents were Kalyan Sundaram, Chairman of Law Commission of India from 1968 to 1971, and Indira Sher-Gil, sister of noted Indian modern artist Amrita Sher-Gil. He is married to eminent art historian and critic Geeta Kapur. The retrospective careens through different shifts in Sundaram’s art practice and his explorative approaches. Vivan Sundaram, painter, sculptor, installator is a key figure in a group of contemporary artists, who have, over the last decade, moved away from the enterprise of easel painting. Tradition and Transformation: Chicana/o Art from the 1970s through the 1990s, Shifra Goldman University of Washington Press, 2015. Since 1990 he has turned to making artworks as sculpture, installation, photography and video. His latest installations and video… Hong Kong via Asia Art Archive’s Chantal Wong . Vivan Sundaram Just as site specific installations take from architecture the plan and structure of objects in space, theatre is present within installation practice as a performative mis-enscène. The original photographer was Sundaram's grandfather Umrao Singh. He studied at the Faculty of Fine Arts, MS University of Baroda, Vadodara, and the Slade School of Fine Art, London, in the 1960s. Social Action. Sundaram reconfigured the photographs and recast the family in new roles, retelling family history. His works constantly refer to social problems, popular culture, problems of perception, memory and history. The installation titled Meanings of Failed Action: Insurrection 1946. (ed. Vivan Sundaram was born in 1943. Since 1990 he has turned to making artworks as sculpture, installation, photography and video. Vivan Sundaram (born 1943) is an Indian contemporary artist. Publisher: New Delhi Tulika Books 2017 Description: 309p. Vivan Sundaram, 'Miniature Monument with Two White Graves', from Memorial, 1993, mixed media installation, courtesy of the artist, photo by Gireesh GV In a published exchange, titled ‘Proposition Avant-Garde: A View from the South’ for the online Re-take of ‘Amrita’ is a series of black and white digital photomontages based on archival photographs from the Sher-Gil family. Sundaram works in many different media, including painting, sculpture, printmaking, photography, installation and video art, and his work is politically conscious and highly intertextual in nature. Vivan Sundaram by Nandakumar for Doordarshan. 1400 postcard-sized photographs in metal frames in a circular floor installation, 300cm diameter x 30 cm height. He returned to India in 1970 and continued painting. According to Ashish Rajadhyaksha, ‘As recently as three years ago, Vivan Sundaram was described by a colleague as firmly implanted in an oil-painting tradition “inherited from the grandest years of European Figurative painting”. His aunt, the late Amrita Sher-Gil, left a legacy that inclined him towards art. On display are around 180 artworks which include drawings, paintings, sculptures, collages, photo-montages and installations created over a period of five decades. Vivan Sundaram single-handedly worked for the western interests. He developed a style of political commentary on contemporary politics with radical frontline views, mostly stemming from his politically active years as a student in MS University, Baroda and later at the Slade School, London. Since 1990 he had made installations that include sculpture, photographs and video. Dell Upton What Can and Can’t Be Said: Race, Uplift, and Monument Building in the Contemporary South Yale University Press, 2015. http://www.gallerychemould.com/artists/vivan-home/ Vivan Sundaram lives in Delhi. About Vivan. After graduating from the MS University, Baroda in 1965, Sundaram held a Commonwealth Fellowship for study at the Slade School, London between 1966-68, becoming politically active as a student and remaining so afterwards. Related Categories. Chapter 2 of book on the photographic projects of Vivan Sundaram, to be published by Tulika, New Delhi. First as a painter and subsequently in large-scale conceptual installations, Vivan Sundaram‘s artistic practice has responded to contemporary politics with radical vanguardism. Vivan Sundaram (b.1943) is an artist and activist who is a pioneer of installation art in India, along with a sustained interest in collaborations and artist-run spaces. [6] [7], at Culturebase, International Artists' Database, https://en.wikipedia.org/w/index.php?title=Vivan_Sundaram&oldid=989378281, Indian people of Hungarian-Jewish descent, Maharaja Sayajirao University of Baroda alumni, All Wikipedia articles written in Indian English, Articles with unsourced statements from December 2011, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 18 November 2020, at 17:17. About the Book. Vivan Sundaram was born in Shimla in 1943. Featured in the catalogue are installations dealing with the metaphor of death, created by Vivan Sundaram in 1993. Vivan Sundaram Just as site specific installations take from architecture the plan and structure of objects in space, theatre is present within installation practice as a performative mis-enscène. First as a painter and subsequently in large-scale conceptual installations, Vivan Sundaram ‘s artistic practice has responded to contemporary politics with radical vanguardism. University of Baroda and Slade School of Art, London. Art Vivan Sundaram has already conceptualised his installation for the upcoming Kochi Muziris Biennale. University, Baroda and The Slade School of Fine Art, London in the 1960s. 1990 ‘Vivan Sundaram’, directed by Asha Narang Spaak. He graduated from the Faculty of Fine Arts in Baroda and the Slade School of Fine Arts in London in the 1970’s on a commonwealth scholarship. ... , Kapur pits installation art in “the majority of the Third World” against “the cool signs thrown out by Western artists” (Kapur, 1996: 66). The retrospective careens through different shifts in Sundaram’s art practice and his explorative approaches. Contemporary Indian Art. In today’s episode of #MeetTheMasters, know more about one of India’s most legendary contemporary artists - Vivan Sundaram. (Co-edited with Miwon Kwon), Making Strange: Gagawaka + Postmortem (A Project by Vivan Sundaram). (Co-edited with Kavita Singh), No Touching, No Spitting, No Praying: The Museum in South Asia. ‘Vivan Sundaram’: One World Art/The Right to Hope TV series by Iikka Vehkalahti. South Asia. 1943, Shimla / India), based in New Delhi, makes paintings and large-scale conceptual installations. From Francis Alÿs and Ursula Biemann to Vivan Sundaram, Allora & Calzadilla, and the Center for Urban Pedagogy, some of the most compelling artists today are engaging with the politics of land use, including the growth of the global economy, climate change, sustainability, Occupy movements, and the privatization of public space. This book is an intensive reconsideration of the very first site-specific installation staged in India. His works in the 1980s showed a tendency towards figurative representations, and dealt with problems of identity. This lecture constructs an account of radical art practice in India through two seminal figures: Vivan Sundaram, the contemporary Delhi-based artist, and Geeta Kapur, the pre-eminent theorist, critic, and curator, and most significant interlocutor of the post-1968 avant-garde generation to which Sundaram belongs. Featured in the catalogue are installations dealing with the metaphor of death, created by Vivan Sundaram in 1993. [5] His latest installations and videos often refer to his artistic influences, among them are Dadaism, Surrealism, as well as more recent Fluxus[4] and the works of Joseph Beuys. As a person, Sundaram … Quite unlike any other study on the art of modern and contemporary South Asia, A Fragile Inheritance is a deeply informative work that stresses the intellectual We use cookies to enhance your experience on our website.By continuing to use our website, you are agreeing to our use of cookies. Contemporary Conceptualism. University, Baroda and The Slade School of Fine Art, London in the 1960s. 2007 Installation view of VIVAN SUNDARAM ’s “Step Inside and You Are No Longer a Stranger,” at Kiran Nadar Museum of Art, New Delhi, 2018. The positioning of sculptural forms, the presence of the (spectator’s) body within an immersive ambience; these and many other attributes make installation art and theatre twinned genres. Sundaram, a pioneer both of installations and of avant garde art in India, is at his most chilling when he speaks to human suffering. Cross-Cultural Dialogue According to Ashish Rajadhyaksha, ‘As recently as three years ago, Vivan Sundaram was described by a colleague as firmly implanted in an oil-painting tradition “inherited from the grandest years of European Figurative painting”. 1993 ‘Figures of Thought’, directed by Arun Khopkar, on Bhupen Khakhar, Nalini Malani and Vivan Sundaram. Vivan is a key figure in Indian contemporary art who has moved away from the enterprise of easel painting into the realm of versatile mediums over … His aunt, the late Amrita Sher-Gil, left a legacy that inclined him towards art. One of the first Indian artists to work with installations, Vivan Sundaram is globally renowned for his prolific art practice, spanning multimedia formats and poignant themes of social perception, memory, and history. Vivan Sundaram, Great Indian Bazaar, 1997. Memorial: An Installation with Photographs and Sculpture 1993, AIFACS Galleries (New Delhi - India), Sakshi Gallery (Mumbai - India), Project Space Tate Modern (London - UK) and Khoj International Artists' Association (New Delhi - India). Vivan Sundaram (b. University of Washington Press, 2015. [1][2][3] In London he met the British-American painter R. B. Kitaj,[4] under whom he trained for some time. Collection of the artist, New Delhi. The Kiran Nadar Museum of Art presents VIVAN SUNDARAM ... spatiality of installation art. He studied painting at M.S. If until recently, he was able to extend that legacy to become the only Indian artist to consistently provide a political record for his times, to adhere to an art committed to moving society in a socialist direction without reducing the complexity of the issues/languages at stake, then that too was from a grand tradtion: committed, as it was, also to the idea of the work of art.’ With artist biography. All images courtesy the artist and Kiran Nadar Museum of Art… An art exhibition organised by the Safdar Hashmi Memorial Trust in New Delhi as part of its programme `Ways of Resistance', comes as a timely response to events and developments in contemporary In Art Vivan Sundaram has already conceptualised his installation for the upcoming Kochi Muziris Biennale. Tucked in the narrow serpentine lanes of Delhi’s Aya Nagar, Wednesday evening saw a host of popular names from the art world — Subodh Gupta, Bharti … His spouse is the famed art critic Geeta Kapur, and his vast oeuvre, stretching from his early paintings in the 1960s to larger-than-life installations of the current day, speak for themselves. 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